My creative direction had begun to change, to include the presence of others in my photographs, by the time I wished to photograph my friend Mel in her conservatory. She was ironing and I chose to stand observing her from a warmly lit interior. I registered that it matters less to me if I am slow at seeing, or that my observations feel as though I am outside of my surroundings.
© Karren Visser. Sight Lines, Arts Council England funded, 2021–22.

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